I am a passionate museum professional, driven to transform spaces and bring objects to life through creative storytelling and accessible interpretation. I aim to inspire a broad and diverse audience by making collections engaging and meaningful.
My core expertise lies in museum exhibition design, with a broad skill set developed across my career—including mountmaking, exhibit and graphic design, research, interpretation, installation, training delivery, preventative conservation, and collections care. My interest in the latter led me to complete a diploma in Collections Care and Conservation. Sustainability is central to my approach; I consistently seek to reduce the environmental impact of exhibitions and working practices.
I am proactive, committed to continuous professional development, and confident leading or collaborating on complex projects. I value effective communication, thrive in team environments, and pride myself on being conscientious, approachable, and supportive in all professional relationships.
Supported the install of the British Museum Gallery as part of the Royal Palace Reborn project at Norwich Castle Museum
Collaborated with British Museum staff, internal conservators, designers, and external mountmakers
Lead designer on Space: Could Life Exist Beyond Earth? - working cross-functionally with scientists, interpretation, and technical teams
Developed design principles through vision boards, and led on exhibit and showcase designs
Sourced sustainable materials, oversaw samples and finishes, and liaised with appointed modelmakers to ensure high-quality output
Participated in procurement evaluations and upheld health and safety standards
Delivered temporary exhibitions and permanent displays at Norwich Castle Museum, including work for Royal Palace Reborn (£15m NLHF funded project)
Collaborated with the UEA, and internal teams on exhibitions including The Last Voyage of the Gloucester and Norwich Works
Member of the NMS Green Team (2018–2024), supporting sustainable design practices.
Designed exhibitions across 9 NMS museums in partnership with Yale Center for British Art, Young V&A, and Arts Council Collection
Worked closely with curators, learning, conservation, and collections to deliver ethically informed designs
Mentored a museum trainee, delivering training and project supervision to support career development
Built and maintained displays from technical drawings or independently using a variety of materials and methods
Handled and installed museum objects with care, adhering to H&S procedures and Spectrum standards
Acted as Head Technician (May–Oct 2019), co-ordinating exhibition changeovers, overseeing external contractors and health & safety
Supported student learning and personal development at Ellis Guilford School
Promoted higher education through classroom engagement and presenting university project work
Work-based diploma promoting professional standards in conservation and collections care
Demonstrated skills through documented practical work, video, imagery, PDP logs, and written submissions
Delivered a 20-slide Pecha Kucha presentation as part of final assessment
8-week course at the Sainsbury Centre for Visual Arts, covering global art history topics
Final assessment focused on Hokusai’s Under the Wave off Kanagawa
Explored applied arts through materials including ceramics, glass, metal, textiles, and wood
Final-year specialism in glass and ceramics
Dissertation: The Concept of Revivals with a focus on the Volkswagen Beetle
This level 4 diploma was an introduction to the main areas of 2D and 3D Art and Design. I learnt a wide range of processes and techniques to help me widen and develop my skills within this subject, while building a substantial portfolio of work.
I completed a week course on Vectorworks.
Previous qualifications available on request.